Trump’s assault on the Smithsonian: ‘The goal is to reframe the entire culture of the US’ | US news | The Guardian
Trump administration officials are systematically dismantling the Smithsonian Institution’s historical narratives through executive orders, intimidation, and threats of funding cuts. On May 30, 2025, Trump personally fired National Portrait Gallery Director Kim Sajet via social media, accusing her of being “a highly partisan person” supporting diversity programs he had banned by executive order on his inauguration day. Despite lacking legal authority to terminate Smithsonian employees—a power held by the institution’s board of regents—Trump succeeded in forcing Sajet’s resignation by June 12, demonstrating his willingness to weaponize presidential authority against cultural institutions.
In March 2025, Trump issued an executive order titled “Restoring Truth and Sanity to American History” that accused the Smithsonian of promoting “divisive, race-centred ideology” and assigned Lindsey Halligan—a mid-30s Trump aide with no arts background—to remove what Trump labeled “improper ideology.” The order directly contradicts the institution’s congressionally mandated mission to present an unbiased account of American history. Vice President JD Vance personally called for Sajet’s removal during emergency board meetings, signaling coordinated pressure from the administration.
Widespread self-censorship has spread through museums nationwide in anticipation of Trump administration scrutiny. Museum professionals report removing language about slavery being “unjust,” scrubbing references to the Dutch empire’s role in enslavement, replacing “diversity” with “variety” even in scientific contexts, and subjecting exhibitions featuring trans subjects to additional review layers. Artist Amy Sherald withdrew her exhibition from the National Portrait Gallery after learning the Smithsonian was pressuring her to contextualize a portrait of a trans woman, demonstrating how institutional self-censorship functions as a preemptive silencing mechanism without requiring explicit government intervention.
Trump has explicitly stated his goal: reframing American museums to present a nationalist, triumphalist narrative that downplays slavery and celebrates only American success. On August 19, 2025, he declared museums “the last remaining segment of ‘WOKE'” and vowed to apply the same aggressive tactics used against colleges and universities to cultural institutions. The Smithsonian faces an anticipated $131.2 million budget cut in 2026, and Trump threatens to revoke tax-exempt status from private museums—a tactic that functions as intimidation even without legal enforceability, compelling institutions to self-censor rather than risk losing charitable protections.
Museum directors, curators, and senior officials privately acknowledge the transformation but fear retaliation for speaking publicly. Steven Nelson, who recently left the National Gallery of Art, stated bluntly that “the administration don’t really have to do anything, because institutions are doing it all for them.” This systematic capture of cultural institutions reframes the entire narrative of American history from foundational levels, erasing discussions of slavery, racism, and injustice to impose an ideologically mandated version of national identity that serves authoritarian political goals.